Hurt
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This page is home to at least two different artists: a popular American rock band and a Polish punk band. The homepage of the American band can be found here: http://www.hurtband.com/ The saying goes, âWhat doesnât kill you makes you stronger,â which can neatly sum up the career thus far of the Los Angeles, CA-based quartet, Hurt. Having survived line-up shifts and a split with their former label, Capitol Records, the group â which is comprised of J. Loren (vocals), Paul Spatola (guitar), Rek Mohr (bass), and new member Louie Sciancalepore (drums) â has returned with their strongest and most musically varied release yet, âGoodbye to the Machineâ (which was produced by the band themselves, and will be distributed by A2M and released via Amusement ... Records). To back up a bit, the Hurt story begins in 2000, when the group originally formed in Virginia, before ultimately relocating to the west coast. Along the way, the group has issued four albums, 2000âs self-titled debut, 2003âs âThe Consumation,â 2006âs âVol. 1,â and 2007âs âVol. 2,â and have toured alongside some of rockâs biggest names, including Staind, Three Days Grace, Alice in Chains, Seether, and Breaking Benjamin, among others. Hurt has also spawned several popular rock radio anthems, including âRapture,â âFalls Apart,â and âTen Ton Brick.â âSo, we found ourselves off the road, off our labelâ¦and we decide to go into the studio and make a new record anyway,â explains J. âWith not a lot of money, I locked myself in a rehearsal studio in Burbank, and started working on some tunes. Simultaneously, Paul, who was staying in Santa Clarita, was working on tunes, and we were trading off. It was an interesting way to make an album. We wrote the album in about a month, and then we cut the album in about a month. If that wasnât enough, we tried to do it with one hand behind our back, and did it with an analog recording processâ¦just to basically say that we did!â But as J. previously mentioned, âGoodbye to the Machineâ was recorded in a different manner than their earlier releases. âWe had this idea of doing a record âthe old school methodâ,â adds Rek, âAs opposed to the previous two records, that had been recorded to Protools â as almost all records are done nowadays. What we wanted to do was go back to our roots, and show a different side of the band â not so much hide behind layers and layers of production. We wanted to write songs that stood more on their own and to record them to analog tape, using analog gear. Some of the tunes on the record were written at four in the morning at our managerâs house on acoustic guitars. We ended up getting about 18 songs done and narrowed it down to the 14 we liked the best. Jâs lyrics are very poignant and honest â he has such a unique way of saying things. I donât know how he does it. As far as this record goes, the band is very musically diverse. No two songs sound a like on this record. Itâs three very different contributors, so the songs are very diverse. Also, we use a lot of violin and piano, which is common in rock, but not as pronounced as we used it.â With the new release comes quite a few tracks that will undoubtedly soon become Hurt classics, including such standouts as âPills,â âDreams Away,â and âFighting Tao.â But it is the lead-off single from âGoodbye to the Machineâ this is already turning heads at radio stations coast to coast - the all-encompassing epic, âWars.â ââWarsâ is just such a heavy tune,â agrees Lou. âThe way it walks and tells a story, and the words, are intense. I just love playing it. It comes across when you hear it. Itâs sheer excitement.â J. also offered some insight behind the song. âI certainly do not want to preach to people, and I certainly do not have a particular political view. Some people could misunderstand some of the songs, but I assure people, that Iâm not going to tell them what to think. For instance, the song âWars,â Iâm already getting what I expected â people are used to artists doing the whole peacenik thing. But the fact is I worked as an aircraft consultant, and I made jets to blow the shit out of people. Itâs not like Iâm a complete pacifist, Iâm saying, itâs a damn shame that people have to do this. Itâs a generalization of things.â Another track that will surely garner attention with rock fans is "World Ain't Right," which features Shaun Morgan of Seether. âShaun did me a solid on this one â I had been hounding him ever since I went on tour with him,â admits J. âI heard him sing on the first night, and I went, âHey man, where did you get that hick-country element?!â Later on, we got to be pretty good friends - weâre fairly like-minded individuals, and he said, âIâll do anything to help you out.â So after some difficulties with scheduling, we managed to get him in the studio, and he just sang on one of the tunes.â All this was accomplished with a line-up switch, as longtime member Evan Johns exited the band. âIt was a tricky situationâ¦â explains Rek. âWe do all miss the guy, but this is our career. We put a lot on the line to be able to do this for a living.â With Lou taking over drum duties, the new drummer cannot wait to make his live debut with Hurt. âIâm really looking forward to touring. The sounds are there, the vibes are there, and we enjoy playing together. I wouldnât want to be playing with anybody else really â itâs just such a great feeling. The songs are great and everybody gets along.â And itâs not just their newest member that is looking forward to the upcoming tour in support of âGoodbye to the Machine,â agrees longtime guitarist Paul. âThis tour is going to be a bit different than the other treks weâve made. The way we recorded it is was more raw, so itâll perhaps translate live better than some of the things weâve done prior. We continue to stay true being a rock band, even though we have completely different influences. We donât say, âOh, we need to be this or we need to be that to fit into this categoryâ.â With the release of their strongest album yet, the future looks bright for Hurt beyond âGoodbye to the Machine,â says Rek. âMusically speaking, since this record is so diverse, it leaves open a lot of different avenues that we can go down. The next record could be any number of styles, because itâs so open-ended on this record. If we want to evolve, grow, and morph into something slightly different, we have that option, and I donât think itâs going to freak the fans out, because there are hints to it.â The homepage of Polish band is: http://www.hurt.art.pl Hurt (the Polish one): The band formed in WrocÅaw, Poland and debuted in 1994 with a tape titled "Babilon". In 1997 they released themselves a live album "Serki dietetyczne". At that time they where a little known, some would say underground band. All started to change when the biggest independent label in Poland got interested in them and so came the cd for SP Records called "Musisz to kupiÄ" (1999). After that record the band got their first drummer- before that they played with automatic percussion. You can still hear it in their style. After that follwed another cd "DokÅadny czas". (2000) Then the group stoppted touring for a while and almost put an end to it's existence. However, after some personnal changes they've came back in 2005 with "Czat" contaning the hit "ZaÅoga G" and started touring more then usual. In summer 2006 Hurt made a tour togther with happysad. Discography: - Babilon (1994) - Serki Dietetyczne (1997, album from a concert) - Musisz to kupiÄ (1999) - DokÅadny Czas (2000) - Babilon. Serki Dietetyczne (2003) - Czat (2005) Members: - Maciej Kurowicki - vocal - Sid Motkowic - guitar - SmoÅa - bass - Zmazik - drums - Agim - keyboards - Niedźwiedź - menager, vocal
Updated Feb 20 2009 12:38 PM via Last.fm
Updated Feb 20 2009 12:38 PM via Last.fm